Don Pasquale
Madama Butterfly

Season 22-23

Performed on October 22, 25, 27 and 29, 2022

Donizetti’s Don Pasquale

The tragic tale of Cio-Cio-San (Madame Butterfly) is well known—the innocent young geisha who naïvely falls for and marries Pinkerton, a young officer in the US navy who wants nothing more than a fling and quickly abandons her. Three years later, she continues to await her love’s return and has rejected other marriage proposals. Pinkerton, who unknowingly left her pregnant, is returning with his “real American bride.” The penny finally drops for Cio-Cio-San when the two of them appear to take her child away, and she chooses to die “with honour” rather than live on in shame. The opera’s magnificent arias and depiction of traditional Japanese customs and values have made it a favourite with audiences across the ages, while Pinkerton’s moral vacuity remains as shocking as ever.

Original Italian version with French surtitles.

Distribution

Don Pasquale | Olivier Déjean
Norina | Anne-Catherine Gillet
Malatesta | Hugo Laporte
Ernesto | Patrick Kabongo
Le Notaire | Michel Desbiens

Orchestre symphonique de Québec
Choir of the Opéra de Québec

Project Masters

Musical Direction | Laurent Campellone
Staging | Jean-Sébastien Ouellet
Scenery | Michel Baker
Costumes | Julie Morel
Video | Kevin Dubois
Lights | Nico Desmeules
Makeup | Élène Pearson

Performed on May 13*, 16, 18* and 20, 2023

Puccini’s Madama Butterfly

The tragic tale of Cio-Cio-San (Madame Butterfly) is well known—the innocent young geisha who naïvely falls for and marries Pinkerton, a young officer in the US navy who wants nothing more than a fling and quickly abandons her. Three years later, she continues to await her love’s return and has rejected other marriage proposals. Pinkerton, who unknowingly left her pregnant, is returning with his “real American bride.” The penny finally drops for Cio-Cio-San when the two of them appear to take her child away, and she chooses to die “with honour” rather than live on in shame. The opera’s magnificent arias and depiction of traditional Japanese customs and values have made it a favourite with audiences across the ages, while Pinkerton’s moral vacuity remains as shocking as ever.

Original Italian version with French surtitles.

Distribution

Cio-Cio-San | MyungJoo Lee/Francesca Tiburzi*
Pinkerton | Eric Laporte
Suzuki | Lysianne Tremblay
Sharpless | Philipp Addis
Goro | Antoine Normand
Bonze | Marcel Desbiens
Yamadori | Geoffroy Salvas
Kate Pinkerton | Geneviève Dompierre-Smith

Orchestre symphonique de Québec
Choir of the Opéra de Québec

Project Masters

Musical Direction | Clelia Cafiero
Staging | François Racine
Scenes | Michel Baker
Costumes | Émily Wahlman
Accessories | Jeanne Huguenin
Lights | Serge Gingras
Makeup | Élène Pearson
Hairstyles | Josée Brisson